Skip to main content

SARIRA


SARIRA
Sarira is which disintegrates.  At the time of death, the body disintegrates into the five elements-spaces, air, fire, water, and earth from which it has been created.
 Three types of sariras are mentioned in Vedanta. 
1.      Sthula sarira
2.      Sukshma sarira
3.      Karana sarira
All these are considered anatma. As Sarira is anatma it is impermanent.   All these have starting point and end point.  Siryamanatvat  sariram. It disintegrates at the time of death.  It is created with the combination of panchabhutas and disintegrates after the death. Gross body is made up of panca bhutas. These panca bhutas disintegrate after the death.

Jagadguru Sankaracarya has given a great definition of sthula sarira. According to it there are four important aspects of sthula sarira.
1. It is made up of the five great elements.
2. It is born as the result of good actions of the past.
3. It is counter for experiences.
4. It is subject to the six modifications.

Dr A. Tara Lakshmi,
Srikalakasti

Comments

Popular posts from this blog

Differentiating Sama from Dama

Differentiating Sama from Dama A. Wilful control of the mind when it becomes extroverted is called  Sama. --Wilful control of the senses when they became extraverted is called  Dama. --Sama refers to mind control and Dama refers to sensory control. --Sama  refers to the mastery of the mind. It also refers to mental discipline like avoiding unnecessary greed and avoiding harmful ambition and possessiveness. -- Controlling the mind from continuous   interaction with world objects is called  Sama.  The mind always tries to extrovert.   The agitated mind becomes a hindrance to the seeker.  It affects the attention of the seeker.   --  To firmly harness the wild and restless mind is called  Sama . Desire freeness of the mind is  sama  --Mastery of the mind helps the seeker to turn within and glide easily into the higher realms of spiritual pursuit,  Dama  is the wilful control of the sens...

The four elements of Anubandha Chatustaya?

 The four elements of Anubandha Chatustaya?                   Not only Prakarana grandhas all Vedantic and Spiritual texts at the very beginning explain the ‘anubandha-catustaya.   Anubandha- catustaya means the requisite qualities or considerations with respect to the text.   They are four in number. They are common to all Vedantic texts.   Usually they serve as a foreword or introductory note to the texts. Anubandha-catustaya are as follows: 1.         Adhikari:    The deservedness of an aspirant to study and receive the knowledge enshrined in the text. 2.       Vishaya:    The subject matter of the text. 3.       Prayojana:   Prayojana or phala is the result which acquires from studying the text.   4.       Sambandha :   Relationship between the text and the sub...

mangalacarana- its purpose?

1.        mangalacarana- its purpose? Ans. Mangalacaram is a tradition,. Whenever a text begins the author starts with an invocatory verse called mangalacarana. Literally it means an auspicious observance. Sage patanjali while commenting his Mahabhashyam on Panini’s Stotras explains mangalacaranam as “a noble author starts his discourse with an invocation and has even an invocation for the middle. His words alone shall stand the test of time and surely the readers would be fulfilled. Mmagalam is of three types. “Aa seerna maskriya vasthhu nirdeso vapi tanmukham”. 1.       Namaskaram 2.       Aseevvadam and 3.       Vasthu nirdesam In Mangalacaranam the invocation is usually offered to 1.       Ista devata- deity of one’s personal worship. 2.       Guru- Teacher 3.       Both the Ista- d...